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Nancy Sinatra
Vinyl Record
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Record details
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This definitive vinyl reissue of Nancy Sinatra’s third LP captures the British-flavored sessions she recorded in London in 1966. Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the release features the singles “Summer Wine” and “Friday’s Child,” plus four bonus tracks that collect the complete 1969 Mickie Most sessions, including the previously unreleased “Colors Are Changing.”
Available on black vinyl and two colored variants: “Summer Wine” red and “Little Bird” blue with peach splatter. This expanded gatefold edition includes a 20-page booklet with a Q&A with Nancy and co-producer Hunter Lea, plus never-before-seen photos from Nancy Sinatra’s personal archive.
Recorded over a few days at Pye Studios, Nancy In London leans into a distinctly British selection of material — covers like “On Broadway,” “Wishin’ and Hopin’,” and the sprightly “This Little Bird” sit alongside the memorable Nancy & Lee duet “Summer Wine.” The reissue restores and enhances the original tapes while adding session rarities to give a fuller picture of this vibrant period in Sinatra’s career.
| Track | 1. On Broadway 2. The End 3. Step Aside 4. I Can't Grow Peaches On A Cherry Tree 5. Summer Wine 6. Wishin' And Hopin' 7. This Little Bird 8. Shades 9. The More I See You 10. Hutchinson Jail 11. Friday's Child 12. The Highway Song 13. Are You Growing Tired Of My Love 14. Zodiac Blues 15. Colors Are Changing (Previously unreleased) |
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Nancy Sinatra emerged in the 1960s with a distinct mezzo‑contralto voice and a strong sense of artistic identity. The daughter of Frank Sinatra, she found her defining sound working with songwriter‑producer Lee Hazlewood, scoring enduring hits such as “These Boots Are Made for Walkin’.” Over a prolific decade she explored pop, country, and psychedelic touches, later joining Hazlewood for acclaimed duet albums. This reissue highlights a key moment in her early solo catalog and the international sessions that helped shape her legacy.
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